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Breakfast Club is a product of its era in addition to being a specifically American film. The archetypes of that movie (while heightened for drama/comedy sake) were true to that era, but kind of lost their relevance over time. High schools will always have cliques, but I think that sort of peaked in the 80s and slowly faded out by the late 90s as students became a little more homogeneous and interconnected. The cliques are no longer as well-defined as they used to be and aren't as isolated and at war with each other as they once were. Also, in America, the late 70s/early 80s were kind of the peak of parents being disinterested in their kids and the kids grappling with how to navigate young adulthood without any real guidance. You had dads not really involved in their kid's lives as usual, but you had a lot more moms getting into the workforce. The latchkey kid generation peaked with Gen X. A key element of Breakfast Club is that basically everyone but Claire has problems with their parents, either directly like Bender or Andrew, or indirectly like Brian or presumably Allison. tl;dr - to me, the Breakfast Club is unrelatable to both non-Americans and to those outside of Gen X, though clearly a lot of people still enjoy the movie and can maybe relate to certain elements of it
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I know they haven't explicitly said anything yet, so it's more of a "if he does actually say anything and partake" but it still seems a bit weird to me. He's a great dude as well, seems to genuinely care and has a great friendship with Luke M Edit: just to explain it a bit more and why it seems a bit fishy. Your gf tells you she feels disrespected because you've discussed with your boys her getting naked. She make a somewhat big deal about it and you accept you were wrong and move on. Next day you sit around a table with your boys as they all discuss code words to talk about shit you've done with your girl. You make some jokes about it too. The breakfast club watch for free. Watch the breakfast club online free english subtitles.
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Without a doubt, John Hughes is one of the most talented directors of the century. His raw talents are only further displayed in this blockbuster film, Breakfast Club." Released in 1985, this immediate box office success is still regarded today as the film that defined the decade. Much like in his earlier films such as, Sixteen Candles, Hughes yet again manages to delve deep into the mind of a teenager. He directs with such authenticity, it feels as if he travelled back in time to view everything through the lens of a highschooler. He accurately portrays how teenagers are in reality by displaying the five highschool stereotypes of teens, and then knocking those stereotypes down completely. In the beginning, the audience is introduced to five characters: the jock (Emilio Estevez) the princess (Molly Ringwald) the freak (Ally Sheedy) the rebel (Judd Nelson) and the nerd (Anthony Michael Hall. These characters each represent a different stereotype established by their script, appearance, and actions. Eventually, the audience discovers they are not as entirely different as they seem. Combined with John Hughes' superior directing, these five incredibly talented actors contribute to this film's immense success, fame, and timelessness.
During the first parts of the movie, we learn that these five high-schoolers are being held captive in Saturday detention for various reasons. Through various fights and shenanigans, these characters establish first impressions most identical to their labels. However, we learn that these five, seemingly very different teenagers have much more in common than we think. After excessive bickering and various explosive antics, they all gather around to resolve their differences. Unarguably one of the most powerful scenes of the decade, the five characters tear down their emotional barriers to reveal their truest inner-self. This scene proves that it only takes a heart-to-heart conversation to solve any issues. We discover that despite their differences, these characters share the same fears, desires, and emotions deep down.
Hughes prompts the audience to question society as well as themselves. Why do we enforce such stereotypes on teenagers? How are these stereotypes displayed? Do these formulated opinions influence our initial judgement of these characters? While watching this movie, it is only instinctive human nature to categorize these individuals based on societal perceptions. For example, take John Bender- the rebel. From the beginning, we come to the realization that he is the "bad guy." Along with his disheveled appearance, his vulgar nature and knack for violence contribute to his label. With his nonchalant attitude and coined phrase, eat my shorts, the audience instinctively institutes a label. However, that label is eventually stripped away to reveal a character that the audience can sympathize with, and perhaps even relate to. Another example is Claire Standish, a popular socialite played by award winning actress Molly Ringwald. We assume in the beginning that the only things her heart desires is popularity and shopping for new clothes. Eventually, we learn that her shallowness and arrogance is merely a facade. Her label strips away to reveal an empathetic, soft-hearted young teenager just trying to fit in this world.
Hughes demonstrates the enormous power of labels. But when we take off our labels instilled on us by society, we unify as one.
Edit Storyline Beyond being in the same class at Shermer High School in Shermer, Illinois, Claire Standish, Andrew Clark, John Bender, Brian Johnson and Allison Reynolds have little in common, and with the exception of Claire and Andrew, do not associate with each other in school. In the simplest and in their own terms, Claire is a princess, Andrew an athlete, John a criminal, Brian a brain, and Allison a basket case. But one other thing they do have in common is a nine hour detention in the school library together on Saturday, March 24, 1984, under the direction of Mr. Vernon, supervising from his office across the hall. Each is required to write a minimum one thousand word essay during that time about who they think they are. At the beginning of those nine hours, each, if they were indeed planning on writing that essay, would probably write something close to what the world sees of them, and what they have been brainwashed into believing of themselves. But based on their adventures during that... Written by Huggo Plot Summary | Plot Synopsis Taglines: They only met once, but it changed their lives forever. See more » Details Release Date: 15 February 1985 (USA) Also Known As: The Breakfast Club Box Office Budget: $1, 000, 000 (estimated) Opening Weekend USA: $5, 107, 599, 18 February 1985 Cumulative Worldwide Gross: $51, 525, 171 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia The only film of John Hughes where Anthony Michael Hall's character doesn't get romantic involved with anyone. He only does in Sixteen Candles (1984) and Weird Science (1985). See more » Goofs When the kids are running through the halls of the school, they run past a window that seemingly reveals it is dark outside. In actual fact, they are running past doors leading into classrooms, in which the lights are turned off because it is the weekend. See more » Quotes Bender: [ after putting his head between Claire's legs under the table] It was an accident. Claire Standish: You're an asshole. Sue me. See more » Crazy Credits Opens with the following which then explodes from the screen. "And these children that you spit on as they try to change their worlds; are immune to your consultations, they are quite aware of what they are going through. " -David Bowie See more » Alternate Versions There is at least one network version of this film that dubs out the profanity, but includes it on the closed captioning. See more » Soundtracks Fire In The Twilight [performed by] Wang Chung Produced by Keith Forsey Words by Jack Hues Music by Keith Forsey and Steve Schiff See more » Frequently Asked Questions See more ».
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I feel like people continuously undersell this movie. Just a bunch of kids in detention? There's a number of great scenes before this one, the entire movie is enthralling, it's amazing what you can do with mostly a single set, great actors and smart writing. This extends to the movies visuals too, they're simple due to the setting and nature of the film, but they never get boring despite the limited number of locations seen in the film. The music as well, is also quite iconic. We have no idea what The Breakfast Club would be like if this scene was different or removed, but I still feel like it would be thought of as a classic.
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