This 35-minute retrospective documentary offers a real compelling and illuminating chronicle on the making of and troubled distribution history behind the legendary early 70's British horror gem "The Wicker Man." Screenwriter Anthony Schaffer discusses how he got the idea for the premise from researching ancient pagan sacrificial rites and wanted to write a horror script that was a radical departure from standard Hammer horror fare. Christopher Lee reveals that the plum part of Lord Summerisle was specifically written for him and he loved the role so much that he acted in the film for free. Director Robin Hardy saw the movie as a musical and thus decided to have as many music numbers as possible included in the picture. Ingrid Pitt refused to wear a coat in between camera set-ups for the climax out of respect to the extras who wear all freezing in the extreme cold (although this movie takes place in the spring, it was shot in the bitter cold months of October and November. Edward Woodard reveals that the goats above him in the wicker statue got so scared that they urinated on him. The most alarming and fascinating portion of this doc centers on how this movie was severely cut during its initial release and the shocking story about the negative being buried underneath a major highway in Great Britain. We also find out that Peter Cushing was initially approached to play Sergeant Howie, locals in Scotland were cast as extras, and Roger Corman expressed interest in releasing the movie in America in the 1970's. Fortunately, a restored version of the film was reissued in the early 1980's to great acclaim and the movie has gone on to achieve a well-deserved substantial cult status. Essential viewing for fans of the film.
The wicker man enigma lyrics. The wicker man enigma game. The Wicker Man énigmatiques. The wicker man enigma youtube. Photos Add Image Add an image Do you have any images for this title? Learn more More Like This Drama, Horror 1 2 3 4 5 6 7 8 9 10 3. 8 / 10 X Charmed by the residents of Tressock, Scotland, two young missionaries accept the invitation to participate in a local festival, fully unaware of the consequences of their decision. Director: Robin Hardy Stars: Brittania Nicol, Henry Garrett, Graham McTavish Mystery Thriller 3. 7 / 10 A sheriff investigating the disappearance of a young girl from a small island discovers there's a larger mystery to solve among the island's secretive, neo-pagan community. Neil LaBute Nicolas Cage, Ellen Burstyn, Leelee Sobieski 7. 5 / 10 A puritan Police Sergeant is sent to a Scottish island village in search of a missing girl who the townsfolk claim never existed; stranger still are the pagan rites that take place there. Edward Woodward, Christopher Lee, Diane Cilento 5. 3 / 10 When an Irish woman moves from the suburbs to Dublin, she begins receiving phone calls from a stranger. Coincidentally, the city is being plagued by a serial killer who uses this method to. See full summary » Moira Sinise, Christopher Cazenove, Timothy Bottoms Edit Storyline A documentary detailing the process of the creation of the film "The Wicker Man" and the subsequent problems distributing it. Plot Summary Add Synopsis Details Release Date: October 2001 (USA) See more » Also Known As: Saaren arvoitus Company Credits Technical Specs See full technical specs » Did You Know? Trivia This documentary is featured on the Anchor Bay Entertainment DVD for The Wicker Man (1973. See more » Connections References Don't Look Now (1973) See more ».
Este site usa cookies para oferecer a melhor experiência possível. Ao navegar em nosso site, você concorda com o uso de cookies. Se você precisar de mais informações e / ou não quiser que os cookies sejam colocados ao usar o site, visite a página da Política de Privacidade. The Wicker Man enigmatik. This category is for questions and answers related to Wicker Man, The, as asked by users of Accuracy: A team of editors takes feedback from our visitors to keep trivia as up to date and as accurate as possible. Related quizzes can be found here: Wicker Man, The Quizzes There are 39 questions on this topic. Last updated Feb 07 2020. Directed by David Gregory United Kingdom, 2001 Documentary, Short 35 Synopsis A documentary detailing the process of the creation of the film “The Wicker Man” and the subsequent problems distributing it. This film is not currently playing on MUBI but 30 other great films are. See whats now showing The Wicker Man Enigma Show all (12) Cast & Crew Director and Producer Anthony Shaffer Self Peter Snell Robin Hardy Christopher Lee Ingrid Pitt Jonathan Sothcott Edward Woodward (1) What are people saying? Scorpio Velvet's rating of the film The Wicker Man Enigma Scorpio Velvet This was included on the original DVD's extras, and explained the making of this true cult classic I loved well. September 20, 2019 22:43 1 0 Related films Night and Fog Alain Resnais, 1956 The So-called Caryatids Agnès Varda, 1984 Uncle Yanco 1967 Salut les Cubains 1964 Window Water Baby Moving Stan Brakhage, 1959 Black Panthers 1968 Talking Heads Krzysztof Kieślowski, 1980 The Arrival of a Train at La Ciotat Louis Lumière, Auguste Lumière, 1896 The House is Black Forugh Farrokhzad, 1963 The Wicker Man Robin Hardy, 1973 Neil LaBute, 2006 The Wicker Tree 2010.
The wicker man enigma 2. Watch It Enter your location to get local movie times + tickets: On DVD: Now, On Blu-ray: Now Release Date: May 05, 1974 Rated: Violence, Brief Nudity, Nudity, Adult Situations, Strong Sexual Content, Explicit Language Runtime: 1 hr. 32 min. Genres: Police Detective Film, Supernatural Horror, Horror Director: Robin Hardy Cast: Edward Woodward, Britt Ekland, Diane Cilento, Ingrid Pitt, Christopher Lee. Full cast + crew Rent on DVD AND BLU-RAY EDITIONS Wicker Man Release date: August 21, 2001 Format: Dvd Language: Eng Subtitles: Eng Number of discs: 1 Run Time: 1 hr. 28 min. Special Features: Widescreen presentation [1. 85:1] enhanced for 16x9 TVs "The Wicker Man Enigma" featuring interviews with stars Edward Woodward, Christopher Lee and Ingrid Pitt, director Robin Hardy, producer Peter Snell, writer Anthony Shaffer, editor Eric Boyd-Perkins, art director Jake Wright, U. S. distributor John Simon, and filmmaker Roger Corman Theatrical trailer TV spots Radio spots Talent bios Wicker Man [With Wooden Box] 2 Discs] Number of discs: 2 Run Time: 3 hr. 7 min. Special Features: Widescreen presentation [1. 85:1] enhanced for 16x9 TVs "The Wicker Man Enigma" featuring interviews with stars Edward Woodward, Christopher Lee and Ingrid Pitt, director Robin Hardy, producer Peter Snell, writer Anthony Shaffer, editor Eric Boyd-Perkins, art director Seamus Flannery, assistant director Jake Wright, U. distributer John Simon, and filmmaker Roger Corman Theatrical trailer TV spot Radio spots Talent bios Extended version: widescreen presentation [1. 85:1] enhanced for 16x9 TVs 11 minutes of additional rarely seen footage Wicker Man [Extended Edition] Release date: September 7, 2004 Wicker Man [Repackaged] Release date: August 22, 2006 Special Features: ccWidescreen presentation (1. 85:1) enhanced for 16x9 TVs The Wicker Man Enigma: featuring interviews with stars Edward Woodward, Christopher Lee and Ingrid Pitt, director Robin Hardy, producer Peter Snell, writer Anthony Shaffer, editor Eric Boyd-Perkins, art director Seamus Flannery, assistant director Jake Wright, U. distributor John Simon, and filmmaker Roger Corman Theatrical trailer TV spot Radio spots Talent bios Wicker Man [2 Discs] Special Edition] Release date: December 19, 2006 Special Features: Features: Widescreen presentation (1. 85:1) enhanced for 16x9 TVs The Wicker Man Enigma: Featuring interviews with stars Edward Woodward, Christopher Lee and Ingrid Pitt, director Robin Hardy, producer Peter Snell, writer Anthony Shaffer, editor Eric Boyd-Perkins, art director Seamus Flannery, assistant director Jake Wright, U. distributor John Simon and filmmaker Roger Corman Theatrical trailer TV spot Radio spots Talent bios Extended Features: Widescreen presentation (1. 85:1) enhnaced for 16x9 TVs 11 Minutes of additional rarely seen footage Brand new audio commnetary with director Robin Hardy, actors Christopher Lee and Edward Woodward and moderator Mark Kermode Cult Fiction: The Wicker Man Release date: March 4, 2008 Special Features: cc The Wicker Man enigma: featuring interviews with stars Edward Woodward, Christopher Lee and Ingrid Pitt, director Robin Hardy, producer Peter Snell, writer Anthony Shaffer, editor Eric Boyd-Perkins, art director Seamus Flannery, assistant director Jake Wright, U. distributor John Simon, and filmmaker Roger Corman Theatrical trailer TV spot Radio spots Talent bios Release date: January 6, 2009 Special Features: cc "The Wicker Man Enigma" featurette Theatrical trailer TV spot Radio spots Talent bios Wicker Man [Blu-ray] Release date: January 7, 2014 Format: BluRay Subtitles: Eng/Spa Run Time: 1 hr. 34 min. Special Features: Worshipping "The Wicker Man" featurette "The Music of The Wicker Man" featurette Interview with Robin Hardy Restoration comparison Trailer.
The Wicker Man enigmas. The wicker man enigma book. Welcome to the The Wicker Man (1973) Wikia The Wicker Man is a classic cult 1973 British movie filmed in Scotland. It combines thriller, existential horror and musical genres. Directed by Robin Hardy and written by Anthony Shaffer, the film stars Edward Woodward, Christopher Lee, Diane Cilento, Ingrid Pitt and Britt Ekland. Paul Giovanni composed the soundtrack. The Wicker Man is generally very highly regarded by critics. Film magazine Cinefantastique described it as "The Citizen Kane of Horror Movies" and in 2004 the magazine Total Film named The Wicker Man the sixth greatest British film of all time. It also won the 1978 Saturn Award for Best Horror Film. A scene from this film was #45 on Bravo's 100 Scariest Movie Moments. This wiki Additional info and pics are welcome and NEEDED! If you add a page, be sure to link to it from one of the pages listed in the categories below (in the table of contents) or create a new one if needed. You don't need to list that new page below; the page these categories link to is better unless your new page is in a new category all by itself. Thanks. Also, please be sure all pics are high-res enough so that any text can be legible. (300 dpi is what you should aim for. ) To see all the photos that have been uploaded, or to add pics, click on "Photos" under the "On The Wiki" tab above. It will show the latest 48 pictures. Scroll down to the bottom of the page to see earlier photos. Keep doing this to go all the way to the first one uploaded. If you want to add a pic/pics there will be a "add a photo" button at the top of each page. Click on it and follow the instructions. Thanks. To get more information about any pic, click on it. Rather than repeating that info for each page the pic is on, the information about that pic is listed with the pic itself. Table of Contents We currently have 151 pages. Click on the page count link to see all of the pages on this wiki. It will open to a page that has them alphabetically arranged. Wikia's "categories" similar to tags) for this wiki can be found here: Music (all of the pages that relate to music. More categories to come possibly, like behind the scenes, missing scenes, etc. The contents for now include: Audio recordings Canal+ via SIlva Screen) Music on Vinyl Silva Screen Trunk Records Behind the scenes Movies, still pictures Books/Academic papers Cast and Crew Documentaries and featurettes from DVDs and elsewhere DVDs Fan material Nuada - The Wicker Man Journal Dave Lally's map of Summerisle Trading Cards Wicker Man Appreciation Society December 1998 reunion at the Ellangowan Hotel, filmed for the BBC Scotland documentary The EX:S Files. Gallery Collections of *some* of the pictures. Currently: Behind the scenes pics" locations as they appear recently and "missing scene pics. More to come. To see ALL of the pics on this site, use the Images link under Explore at the top of each page. Links Locations in the film Locations (real) arranged by location See also the screencaps page which also list locations for each shot in the Director's Cut. See also locations arranged by scene for each version. See also Google Map with Street Views of as many locations as possible. Missing scenes ( Missing scenes "shot or not" table. ) Unknown scene where man rides bicycle across the causeway in Plockton while another man plays Jew's Harp. Dream sequence At Holly Grimmond's Howie asking where the public records office is Howie at the hairdresser's during the house search Inside the Green Man In the greenhouse and the experimental orchard Librarian bath scenes Mainland - bridge, pub, prostitute Howie confronting May and Myrtle about Holly's clothes Movie elements Intros, outros, graphics, etc. Movie fonts and logos Music General info (including links to individual songs and other music, reviews, covers, music inspired by, podcasts, and songbook, etc) Info about the extended version aka the Director's Cut. Info about the Final Cut Info about the Theatrical version Photographs seen in the movie The pictures Howie looks at in the darkroom. The pictures Lord Summerisle shows Howie. The Harvest Festival photographs. Posters Press and Publicity Current distributors, pressbook/campaign book, press photo info, negative numbers for press and on-site photos, John Brown's page (the official still photographer for the movie. Lobby cards, newspaper articles (mostly Galloway Gazette) marketing materials (pressbooks, posters, trailers, radio spots) newspaper listings (mostly from) Production info Notes and Production/release timeline. See also Production documents below. See also Newspaper Listings, a list of theaters/cinemas, tv guides and some other sources showing when and where the film played in the UK, US and Australia. Production documents Call sheets Jake Wright's set index Seamus Flannery's set/scene index. pic) Movement orders Editor's script Lorraine Peters (bum double) contracts, October 13 and November 3, 1972. Wicker Man drawings from Seamus Flannery or Robin Hardy. Props Book about May Day Howie reads in the library Calendar in the darkroom The covered chair Lord Summerisle sits in when Howie enters the room Ingrid Pitt's bath John Barleycorn bread Lawnmower the gravekeeper uses Lennox's Pharmacy Masked villagers May Morrison's Sweet Shop (aka The Post Office/Tuck Shop) Names in the school register Organ stops Photographs seen in the movie. The pictures Howie looks at in the darkroom, the pictures Lord Summerisle shows Howie, the Harvest Festival photographs. Police car on the mainland Pony trap Howie rides to Lord Summerisle's castle Rowboat with the evil eye Sailing ship (Schooner Summerisle) that Howie searches Seaplane Schoolroom blackboard Religious doctrine Christian and Lord Summerisle's paganism Screencaps Screencap of X rating from British Board of Censors. Scripts Full scripts including Ingrid Pitt's original script, Production materials Sequels 1) Loathsome Lambton Worm - Shaffer's script that Hardy and other's didn't like which was never produced. (See also Brown's book for the script. aka The Wicker Man II (See this pic for one of the cover pages. ) 2) The Wicker Tree (produced) 3) The Wrath of the Gods (not produced but had been in production, Hardy died before if could be finished. ) The New Orleans Connection How four people in New Orleans gave us the Director's Cut and The Final Cut. The Wicker Man itself Timeline Planning, filming and everything after (aka Production/release timeline) Tropes in the Wicker Man Trivia Versions Director's Cut (aka Extended or long version) Final Cut (aka Middle or Moviedrome version. Watch it here. Internet Archive version. Also here. ) Theatrical version (aka short version. Watch it here, with Spanish subtitles on the Internet Archive) Version summaries (with dates from the movie) Locations for each version scene by scene as a chart VHS (and other) tapes Latest activity.
The wicker man enigma bar. The wicker man enigma 3. The wicker man enigma 2001. On Video Credit. Rialto Pictures/Studiocanal You just cant keep a good pagan cult down, although sometimes it seems as if everything colludes to do so. Take Robin Hardys 1973 horror classic “The Wicker Man, ” now having its Blu-ray debut in a Lionsgate “Final Cut” edition. The film — about a prudish policemans encounters with pre-Christian Celtic practices in a remote Scottish community — has weathered numerous twists and turns in its 40-year existence, including a remake, a quasi-remake and at least three versions of varying length. But its journey concludes on a positive note, even if the film itself does not. On second thought, the film can be a little ambivalent in that department. In England in the very early 1970s, Mr. Hardy and his production partner at the time, Anthony Shaffer (the author of the stage hit “Sleuth” and twin to the playwright and screenwriter Peter Shaffer, who wrote “Equus”) sought to devise a more cerebral variety of horror movie. They developed an idea about “the old religion” in Britain, as Mr. Hardy has put it, the Druidic rites once prevalent in Scotland, including animal sacrifice. Their story concerned Sgt. Neil Howie, a devout Christian and virgin who investigates the alleged disappearance of a schoolgirl in the fictional hamlet of Summerisle. What he finds is a populace enamored of folk music, drink, medieval revels and public outdoor sex by moonlight, but maddeningly elusive on the subject of the missing student. Howie, outraged by the hedonistic goings-on, ultimately discovers that he has been chosen to play a central role in a perverse May Day parade, a celebration of fertility culminating in the burning of the titular totem. Edward Woodward, the future star of the CBS series “The Equalizer, ” was cast as the self-righteous Howie; the onetime Bond girl Britt Ekland as a local temptress; and Ingrid Pitt, a veteran of Hammer horror movies, as a bewitching librarian. Best of all was the Hammer mainstay Christopher Lee as Lord Summerisle, the master of ceremonies in the villages salaciously macabre celebrations. Mr. Lee, who embraced the project as a departure from the pronounced villainy of his customary roles, has consistently cited “The Wicker Man” as one of his finest films. The shoot itself, in 1972 in Scotland, posed many challenges, including a frenzied schedule and the freezing bite of gusty seaside locations in late fall. But those obstacles paled beside its troubled theatrical release. New management at British Lion, the movies production company, which was then on the verge of being taken over by the communications giant EMI, hated the picture. As Shaffer, who died in 2001, says in a DVD documentary, “ The Wicker Man Enigma, ” there is a tendency at film studios “to trash or abandon the projects of your predecessors to show how much better you are. ” “The Wicker Man” was taken out of Mr. Hardys hands, edited down to about 85 minutes from over 100, and released with minimal publicity in Britain as a backup feature in a double bill with Nicolas Roegs “Dont Look Now” (another worthy picture. Test runs in America, conducted by Warner Bros., were tepidly received. Worse, irreplaceable negatives containing trimmed portions went missing at Shepperton Studios, a British Lion property, perhaps “nicked” (in Mr. Lees words) or even, it was rumored, tossed into landfill under a highway built nearby. Lost were sequences that, among other things, depicted the merits of Summerisles society, a partly redeeming view less evident in the initial release. But in 1979, the B-movie auteur Roger Corman — who had been given a print of the full-length version when Mr. Hardys producer sought an American distributor — helped assemble a restored “Wicker Man. ” This cut, often called “the middle version, ” played in American art houses to favorable reviews and attracted the passionate following that endures to this day. (In 2001, Anchor Bay released a 99-minute “special edition” DVD alternating grainy footage derived from inferior sources with passages of much sharper resolution. In his foreword to Allan Browns 2000 book “Inside the Wicker Man: How Not to Make a Cult Classic, ” Woodward, who died in 2009, cited “the cruel and senseless treatment it has received at the hands of the film industry over the years. ” But he couldnt have foreseen the depths of Neil LaButes misogynistic remake, a Warner Bros. production in 2006 starring Nicolas Cage in one of his more ill-advised endeavors. That outing — not so much high camp as simply a bore — reimagined Summerisle as an enclave of emasculating women. It was, in Mr. Hardys words, “a disaster. ” Perhaps to redress that desecration, Mr. Hardy revisited the “Wicker” well with a 2006 novel, “Cowboys for Christ, ” which he adapted into his 2011 feature “The Wicker Tree. ” In both, two young Texan evangelicals, one of them a singer, visit Scotland, and Mr. Lees role is broken down between a laird and his wife. While the ending somewhat resembles the originals, the film cant match the paranoia and perversity of “The Wicker Man. ” Mr. Hardy is now pursuing plans for “The Wrath of the Gods, ” the conclusion of a “Wicker” trilogy, to be shot in the Shetlands and Iceland. Which brings us to Lionsgates new Blu-ray version of the 1973 movie, which Mr. Hardy says he is delighted with. At 94 minutes, it is longer than the first theatrical version, shorter than the “special edition, ” but true to his initial conception. Perhaps with this incarnation, this extraordinary film, like Sergeant Howie, has arrived at its final resting place. COMING SOON FRUITVALE STATION Ryan Cooglers assured feature debut presents the grim, fateful events in the life of Oscar (Michael B. Jordan) a 22-year-old Bay Area resident, on the final day of 2008. “Even as it unfolds with a terrible sense of inevitability, ‘Fruitvale Station is rarely predictable, ” A. O. Scott wrote in The New York Times in July. (Starz/Anchor Bay) CARRIE Chloë Grace Moretz plays the shy telekinetic teenager whos pushed to the edge, and Julianne Moore her oppressive mother, in the third movie adaptation of Stephen Kings novel, directed by Kimberly Peirce (“Boys Dont Cry”. “Its hard to keep a franchise crazy down, especially one that can be retrofitted for todays fears, ” Manohla Dargis wrote in The Times in October. (Fox/MGM) LEE DANIELS THE BUTLER A star-studded cast (including Forest Whitaker in the title role and Oprah Winfrey as his wife) populates this drama about a White House servant to eight presidents during decades of political and racial tumult. Its a “brilliantly truthful movie on a subject that is usually shrouded in wishful thinking, mythmongering and outright denial, ” Mr. Scott wrote in The Times in August. (Starz/Anchor Bay) THIEF Michael Manns 1981 feature (his first) — starring James Caan as an ex-convict and high-tech criminal who dreams of going straight — displays the stylized finesse Mr. Mann would bring to television (as a producer) with “Miami Vice” three years later. (Criterion Collection) 20 FEET FROM STARDOM In Morgan Nevilles documentary, the likes of Bruce Springsteen, Mick Jagger and Stevie Wonder sing the praises of the historically unsung: the backup vocalists (including Darlene Love and Merry Clayton) who helped make so many pop classics unforgettable. “This generous, fascinating documentary about the careers of backup singers, most of them African-American women, seeks to rewrite the history of pop music by focusing attention on voices at once marginal and vital, ” Mr. Scott wrote in The Times in June. (Anchor Bay.
The Wicker Man Enigma - 1/3 - Vídeo Dailymotion
DVD Features: Rated: R Closed captioning available Run Time: 1 hours, 28 minutes Video: Color Encoding: Region 1 (USA & Canada) Released: December 9, 2008 Originally Released: 1973 Label: Lions Gate Packaging: Keep Case Aspect Ratio: Widescreen Audio: Dolby Digital 2. 0 - English Dolby Digital 5. 1 - English Additional Release Material: Featurette - The Wicker Man Enigma Trailers - Original Theatrical Trailer Radio Spots (Audio) TV Spot Text/Photo Galleries: Biographies - Cast Performers, Cast and Crew: Starring Christopher Lee, Britt Ekland & Edward Woodward Performer: Diane Cilento, Ingrid Pitt, Lindsay Kemp, Russell Waters & Aubrey Morris Directed by Robin Hardy Screenwriting by Anthony Shaffer Composition by Paul Giovanni Produced by Peter Snell Director of Photography: Harry Waxman Entertainment Reviews: Total Film - 12/01/2003. s a bleak, peculiar chiller. erotic, eccentric and still shocking. Uncut - 10/01/2006 3 stars out of 5. Much of the film's enduring appeal lies with its ending, and screenwriter Anthony Shaffer finds plenty to play with in pitting Christianity against an older religion. Widescreen Review - 02/01/2007 " M]ysterious, horrific, and thrilling. Hollywood Reporter - 09/24/2013 " T]his vintage British shocker retains its potent mix of pagan horror and trippy hippie weirdness. " Empire - 09/20/2013 4 stars out of 5. It remains a superb mystery-horror-musical-folklore picture. " Los Angeles Times - 10/31/2013 " With] a performance by Christopher Lee that the iconic actor declares is his best. " Product Description: A notoriously troubled production notwithstanding, the controversial cult classic THE WICKER MAN is now regarded as a classic of British cinema. Edward Woodward stars as Sergeant Howie, a naive young police officer sent to Summerisle, a secluded island off the coast of Scotland, to investigate the disappearance of a young girl named Rowan. When he arrives there, he finds a very tight-knit community that is mistrustful and hostile to outsiders. No one is willing to even acknowledge Rowan's disappearance. Soon, Howie begins to realize that the town might, in fact, be a strange pagan cult, one given to unbridled sexuality and possible human sacrifice. Seeking an audience with the oddly civilized Lord Summerisle (Christopher Lee) Howie hopes to get to the bottom of the mystery, but instead he finds something more shocking than he could have ever imagined. Written by Anthony Shaffer (SLEUTH, DEATH ON THE NILE) Robin Hardy's eerie film paints a disturbing portrait of an almost prehistoric, multi-deity worshipping society given to bizarre rituals and Bacchanalian excess. Though recognition may have been a long time coming, THE WICKER MAN stands as a strikingly original achievement that is equal parts horror, drama, comedy, and musical. Plot Synopsis: Off the coast of Scotland, the natives of a small island owned and run by a Lord Summerisle, immerse themselves in a religion based on pagan rites and rituals, totally antithetical to Catholic dogma. When a devout Christian police sergeant from the mainland comes to the island to investigate the mysterious disappearance of a local 12-year-old girl, he stirs up hatred and resentment among the locals to such an extent that for their annual May Day celebrations, to insure the crops don't fail for a second year in a row, he becomes their target to appease the heathen goddess of the harvest. Keywords: Production Notes: The American theatrical version of the film runs between 85 and 95 minutes, and the full version of the film is 102 minutes long. THE WICKER MAN was produced in 1973, but not released until 1979. Filmed on location off the west coast of Scotland. The film won the Grand Prize at the Third International Fantasy and Science Fiction Festival held in Paris in 1974.
导演: David Gregory 类型: 纪录片 / 短片 制片国家/地区: 美国 语言: 英语 上映日期: 2001 片长: 35 分钟 IMDb链接: tt0307667 The Wicker Man Enigma的演职员. ( 全部 9) 你关注的人还没写过短评 The Wicker Man Enigma的话题. ( 全部 条) 什么是话题 无论是一部作品一个人，还是一件事，都往往可以衍生出许多不同的话题.将这些话题细分出来，分别进行讨论，会有更多收获. 我要写影评 The Wicker Man Enigma的影评. ( 全部 0 条) 豆瓣成员常用的标签 以下豆列推荐 全部) 谁在看这部电影 DR 2016年5月10日 想看 订阅The Wicker Man Enigma的评论: feed: rss 2. 0. The wicker man enigma cast. The wicker man enigma meaning. The wicker man enigma band. NEW YORK — Robin Hardy, director of the horror film “The Wicker Man, ” which failed at the box office when released in 1973 but went on to attract a large cult following, died July 1. He was 86. The University of Malta, where he had spoken recently, said on its Facebook page that Victoria Webster, Mr. Hardys wife, had informed the school of his death. She did not specify where he died or the cause. When Mr. Hardy, a television director, decided he wanted to make a horror film, he found an enthusiastic collaborator in Anthony Shaffer, who wrote the play “Sleuth” and the screenplay for the Alfred Hitchcock film “Frenzy. ” Mr. Hardy and Shaffer, partners in a production company, were avid fans of the horror films made by Hammer Studios. Together they set about making a film that would take the Hammer approach in a new direction. Shaffer, using the novel “Ritual” by David Pinner as a basis, came up with the story of a devout Christian policeman, Sergeant Neil Howie, who travels to a Scottish island to investigate the disappearance of a girl. In Mr. Hardys hands, the island and its inhabitants — led by the priestlike Lord Summerisle, played by Christopher Lee, took on a mystifying aura, with bizarre events unfolding. Howie beholds, with growing horror, a pagan society in which sexual rituals are practiced openly and village schoolchildren are encouraged to talk about phallic symbols and other topics not in the usual curriculum. The sense of dread builds to a startling discovery when Howie realizes he has been lured to his doom. In the films final scene, he is burned alive inside a giant man made of wicker, sacrificed to appease the local gods and ensure a bountiful apple harvest. British Lion, the company that produced the film, deemed it unsellable. Lee, in his autobiography, asserted that the companys new head, Michael Deeley, called it one of the 10 worst films he had ever seen. Deeley protested that he had called it one of the 10 most unsalable films he had ever seen. In any case, British Lion distributed it halfheartedly and it failed miserably at the box office. “The Wicker Man” lived on, cherished by horror-movie devotees who argued it belonged in the front ranks of the genre. In 1977 the magazine Cinefantastique called it “the ‘Citizen Kane of horror movies. ” The Guardian, in 2010, put it in fourth place on a list of the 24 greatest horror films in history, after “Psycho, ” “Rosemarys Baby, ” and “Dont Look Now, ” and ahead of “The Shining” and “The Exorcist. ” “Its stood the test of time because its about ideas, ” the film historian Jonny Murray, an organizer of the first international “Wicker Man” conference at the University of Glasgow, said in 2003. “It engages you on an intellectual level. Its about paganism: the clash between superstition and modernity; authority and sexuality. Hardy made only a handful of films: “The Fantasist” (1986) about a serial killer who seduces his victims over the telephone, and “The Wicker Tree” (2001) about two Texas evangelists who bring their religious message to a remote Scottish island, with disastrous results. At the time of his death, he was trying to raise money for another “Wicker Man” film, “The Wrath of the Gods. ” With Shaffer, Mr. Hardy wrote a novelization of “The Wicker Man, ” published in 1978. The film was the subject of two documentaries released in 2001, “The ‘Wicker Man Enigma” and “Burnt Offering: The Cult of ‘The Wicker Man. ” The director Neil LaBute remade the film in 2006 with Nicolas Cage as Sergeant Howie. In 2013, Mr. Hardy described the filming of the final scene of “The Wicker Man” to The Guardian. “The wicker man was enormous, ” he said. “The stunned look on Howies face when he first sees it wasnt acting. Up until then, Edward had only seen drawings. He clambered in and we set it on fire, filming from the inside. ”.
The Wicker Man enigma. The Wicker Man énigmatique. Wicker Man, The (2 Disc Collectors Edition DVD) Starring Edward Woodward, Christopher Lee, Britt Ekland Directed by Robin Hardy Distributed by Anchor Bay Entertainment It has been said time and time again that the only good thing about Hollywoods endless fetish with remakes and rehashes is that these paltry buck makers open up whole new audiences to the original material. Along those same lines fans can generally expect brand new DVD releases of the original films and often some spectacular extras. The Wicker Man is no different. Now that we have suffered through a cheap, dimwitted remake with worn-out workhorse Nicolas Cage, horror fans can get back to the real deal in the form of this new two-disc Collectors Edition. The Wicker Man is loved as a cult classic by fans and the actors alike. Christopher Lee even says that he thinks it was the best performance of his career. He loved the film so much that during its initial release he contacted every critic he knew in England to see the film. Its just too bad that what everyones been seeing for the last 33 years has been the shamefully cut version. Now, thanks to Anchor Bay and Studio Canal, we can see the whole thing, 11 minutes longer. Thanks also must go to Roger Corman, who was the sole owner of the print responsible for this edition. But Krytie, youre probably wondering, how much difference can 11 minutes make in such a classic film? Glad you asked, little fiends. Extra footage, even a short amount, if used correctly can make a large impact on how you perceive and get sucked into a film. There are even some subtle bits of menace added just because of a few seconds of tape. First and foremost it is to be noted that the newly installed scenes suffer in terms of beauty. The tapes used have severe grain and have not been touched up whatsoever. Not all is bad though because these jumps in image quality tip the audience off that they are watching previously missing scenes. Right off the bat as The Wicker Man starts rolling a new scene is spotted. Instead of Sgt. Neil Howie (Edward Woodward) taking off for Summerisle, the audience will see him land and meet up with another officer at the West Highland police department. The scenes showing Howie in church and speaking to the congregation have also been migrated to this new beginning. It certainly tips the viewer off early to how deeply rooted the Sergeants Christian views are. The interesting new additions continue as another officer reads the alarming letter concerning a young girls disappearance in Summerisle. Also note the little look the officer gives Howie as he reads it. There is almost a hint that the whole conspiracy that unravels on the island was spread out further than initially thought. It does make sense considering that the task of hunting down a devout Christian virgin dedicated to Queen and country would be a formidable task without outside help. Something to think about? More than just video has found its way back into the film; a lovely song was cut out of the already amazing soundtrack. The ballad “Gently Johnny” and the introduction of Lord Summerisle (Christopher Lee) now replace Willows (Britt Ekland) seduction of Howie. As this new bit of music plays, Lord Summerisle brings a young man to Willows window so he may be “sacrificed” to the goddess of love. Here the audience is also given some insight as to the Lords hatred of religious views that are not those of the island. After these two significant changes things go back to normal with the exception of a few short additions here and there. Dont worry though; Britt Eklands nudie slapping dance is still there but moved to the night of Howies second stay on the island. Not a bad bit of restoring even if some cleanup is desired. The film now has a fuller feeling that adds a more sinister tone to the whole story. The Wicker Man still contains the same impact and shock as the previous release that Debi reviewed here. When one first cracks open the case, the first disc that greats you is the exact same one from the last DVD version we already reviewed. No bother though as the special features in that one were altogether great and you get them all in one set now. There it is for you. The Wicker Man has almost been completely restored to its original version with the exception of a small scene concerning an apple that Christopher Lee discusses in the newly attached audio commentary. This is the only extra feature to be found on the extended DVD and makes up for being alone by stacking up to be one meaty beast. Lee, Woodward, and director Robin Hardy go into great detail about filming, lost footage, religion, characterization, and their deep love of the film. Not one second goes by without shards of information being thrown at you. That and listening to Lee is always a treat because of his smooth, sexy voice. Special Features Commentary by director Robin Hardy, Christoper Lee, Edward Woodward, Mark Kermode 11 minutes of additional footage The Wicker Man Enigma featurette Trailer Talent bios Interviews with cast and crew Radio spots TV spots Film: 5 out of 5 4 1/2 out of 5 Discuss The Wicker Man in our forums.
The wicker man enigma movie. The Wicker Man enigmatum. The wicker man enigma song. THE VARIOUS VERSIONS OF THE WICKER MAN There can be few, if any, film fans in the world who haven't watched, at least once, a low-budget offering from Britain which popped up as a B-movie in 1973 – The Wicker Man. From these lowly beginnings, the film has steadily grown in reputation in the intervening years to become one of the principal cult movies of the last 40 years. Most aficionados are also aware that the film circulates in a number of different versions, but there is much confusion and misinformation about the exact differences between the various cuts. But first, let's find out why more than one version exists in the first place... Background The Wicker Man began life in 1971 when three vague acquaintances: actor Christopher Lee, independent film producer Peter Snell, and writer Anthony " Sleuth " Shaffer, got together and started to discuss the possibility of working on a movie project of mutual interest. Shaffer discovered a 1967 novel called Ritual by David Pinner, and each of the three members of the group stumped up 5000 to acquire the film rights to the book. Shaffer set to work adapting the book but soon came across problems with its structure but, moreover, realised that the book simply wasn't exciting enough to be turned into a worthwhile production. (It might be suggested that somebody should have recognised these problems before the money was spent, but still. 1 An old associate of Shaffer, small-time director Robin Hardy, who was convalescing after a heart attack, appeared on the scene and a quiet weekend was spent brainstorming some fresh ideas at Hardy's house near Maidenhead. During that weekend a framework was developed that ended up being very close to the finished movie. The proposed film would concern a battle of ideals between a devoutly Christian police sergeant, Neil Howie, from the Scottish mainland, and the older pagan beliefs of the locals on a isolated Hebridean island called Summerisle. The pagan ways of the islanders would be conveyed to the audience as they followed Howie's attempts to investigate the disappearance of a young girl. Howie would become ever more deeply embroiled in the bizarre ways of the locals, and eventually realise that the whole thing is a set-up: a trap to get him to the island. The community's crops have failed and the islanders want Howie as a human sacrifice to appease their gods and ensure bountiful harvests in the future. The ultimate point the film was to make is this – what does Howie's religion (albeit a more mainstream one than the islanders' actually count for if he is alone in a sea of different beliefs? Unless deities actually exist, the winner in a conflict of religions is simply the one that has the muscle to enforce his doctrine. The pagan details were to be entirely authentic; Shaffer's main research source being Sir James George Frazer's 12-volume The Golden Bough which details how early myths, rites and pagan beliefs have fed into modern twentieth-century life. Hardy: Everything you see in the film is absolutely authentic. The whole series of ceremonies and details that we show have happened at different times and places in Britain and western Europe. What we did was to bring them all together in one particular time and place. The wicker man itself is quite real. The Druids used the structure to burn their sacrificial victims. What we hoped would fascinate people is not that they would think these things are still going on in Europe, but that they would recognise an awful lot of these things as sort of little echoes from either out of childhood stories and nursery rhymes or things they do at various times of the year. There are so many Christian holidays that are celebrated where there was previously a pagan feast. Easter is one of them, originally it was a hare feast. At Christmas, you set up a Christmas tree because that was what the goddess Hera worshipped. Mistletoe is purely Druidic – it relates to the Golden Bough. My God, when you decorate your home for Christmas you are using nearly every pagan symbol there is! To complement the authentic on-screen rituals, the film was to be set to an original folk-music score, composed and arranged by Paul Giovanni, an American musician who had earlier impressed Shaffer with his score for a "folk rock" version of Shakespeare's Twelfth Night on stage in Washington DC. The finished script was presented to Snell, by this time head of British Lion, and received an enthusiastic reception. Lion was having its troubles at the time and thus it was asked that "the budget be kept low. Christopher Lee, having been involved in the project from the outset and keen to break out of the tired Hammer Dracula cycle which he felt had typecast him, was cast as the island's laird, Lord Summerisle. The policeman, Sergeant Neil Howie, was to be played by Edward Woodward, then fresh from TV's Callan. Woodward was, in fact, third choice for the role: both David Hemmings and Michael York had already turned it down. Ingrid Pitt, another veteran of British horror, was signed on for the role of keeper of the island's records office – a "nymphomaniac librarian" as she put it. At this time, Pitt was the girlfriend of the head of exhibition at the Rank Organization, George Pinches, and it seems possible that her casting was an attempt to "butter up" Rank into choosing the film for its Odeon cinema chain. That relationship aside, Anthony Shaffer would also later report that he entered Pitt's room one day during filming and found her in bed with Peter Snell, the film's producer. Diane Cilento (at the time, Mrs Sean Connery; much later to be Mrs Anthony Shaffer) was persuaded out of semi-retirement for the part of the island's schoolteacher, Miss Rose, after Shaffer had seen her some time previously on the London stage in Big Night. The rest of the casting was more bizarre – mime-troupe leader Lindsay Kemp (later to work in films with Derek Jarman) was drafted to play the innkeeper, and Britt Ekland was chosen to play his voluptuous daughter, Willow. Ekland seemingly could not produce a reasonable Scottish accent and so all of Ekland's dialogue had to to be dubbed in post-production (by Glaswegian actress and singer Annie Ross) with Ingrid Pitt – a Pole – already on board, there simply wasn't room for another unexplained foreign accent. Unfortunately, the crude dubbing of Willow's voice remains a large flaw in the final film. Filming took seven weeks during late autumn 1972. The shooting was done in some 25 locations, mostly around the film's base of Newton Stewart, Scotland; none of the filming was actually done on a real island. Hardy: In all the towns and villages where we shot, while all the buildings you see are real, frequently, if you turned the camera around, down the road might be some dreadfully modern little house which would spoil the whole effort. Matching up locations, tacking together a homogeneous town out of disparate buildings and even pieces of buildings, all sympathetic architecturally, is tricky but something I find quite fun to do. " Autumn" was turned into "summer" by employing fake plastic apple trees and by decorating the real bare trees with imitation blossom. Locals were recruited to fill out the crowd scenes, and pupils from a ballet school helped with some of the dance routines – everybody being kept warm with industrial fan heaters. Generally, shooting proceeded smoothly but one minor problem was encountered when some of the locals became convinced that the crew were planning to burn some animals alive as part of the movie's climax, including a goat used as a local mascot. Fortunately, a reassurance from Shaffer soon calmed things down. Edward Woodward also broke a toe during one scene but due to a combination of cold, tiredness and drink didn't notice until the following morning! The dank and depressing Scottish autumn together with the monotony of the filming began to get to Britt Ekland. Feeling lonely and believing she was being sidelined by most of the other cast, she later gave an interview to the Sunday Express in which she described the film's base, Newton Stewart, as "the most dismal place in creation. one of the bleakest places I've been to in my life. Gloom and misery oozed out of the furniture. and added that she found the town to be full of hardened drinking and illegitimacy. The Long Version The film's editor was Eric Boyd-Perkins who, together with Hardy, finally assembled a cut running at some 99 minutes 2 (henceforth called the Long Version or, on the DVDs, The Director's Cut" or "The Extended Version. Whilst most parties seemed satisfied with this, Christopher Lee was most certainly not. Already about 15 minutes of filmed material had been jettisoned. Two large sets of sequences went unused. The first showed Howie on the mainland investigating a pub that is making too much noise; the second had Howie making a bicycle journey to interview a mother on the island as part of his enquiries (note the redundant "Mrs. Grimmond" credit on the titles at the end of the film. Christopher Lee's main source of annoyance was that a great deal of the scene in which his character, Lord Summerisle, explains the history of the island to Howie had also been removed, although, to be fair to Robin Hardy, this was too wordy and overlong in its original form and would have seriously damaged the flow of the film. However, yet more damaging cutting was still to come... The Short Version By this point, the troubled British Lion was on the verge of being taken over by EMI. New bosses were appointed in the form of Barry Spikings and Michael Deeley. Neither was particularly keen on the project they found they had inherited. Deeley initially refused to release The Wicker Man, even in Britain, maintaining that it had no market value whatsoever (he allegedly described it to Christopher Lee as one of the ten worst films he had ever seen, though Deeley himself denies this claim. Shaffer: If you live, like the poor fellows at British Lion, on a diet of things like There's A Girl In My Soup or On The Buses or Carry On Farting, or whatever those things are called, inevitably you cannot see further than that after a time. " Snell (who was still at British Lion working out his contract) tried hard to change Deeley's mind by promoting the film as much as possible – it was even entered in the non-competition section of the Cannes Film Festival that year, complete with a huge wicker man prop erected outside the main hotel! From these screenings, the film was sold to a number of foreign territories. Meanwhile, Deeley contacted Roger Corman in Hollywood, who had seen the wicker man prop at Cannes and subsequently expressed interest in buying the film for American distribution, and sent him a copy of the Long Version of the film asking him to suggest changes to improve its marketability. Corman's suggestions were to aim the film for the American drive-in market. To facilitate this, Corman suggested that the film needed tightening and proposed about 13 minutes worth of cuts. Deeley realised that shortening the film would also allow it to play as a B-picture (a secondary, supporting movie, to be shown as part of a double bill) back in the UK. So, following Corman's advice, Deeley had the film cut down to 87 minutes 3 (henceforth called the Short Version or, on the DVDs, The Theatrical Version. Parts of the plot were changed around, moving some of the details of Howie's second night on the island (such as Willow's nude dance scene) forward to the first night. 4 All of the remaining footage of Howie on the mainland was deleted, which British Lion had always thought smacked a bit too much of the British TV police show Z-Cars. A long sequence involving the sexual initiation of a teenage boy by Willow was also removed. Hardy: There was no consultation with any of us. This was the way the film was going to be, and – tough titty! – that was it. Paul Giovanni: Whatever you think of the long version, the short one is laughable, very nearly silly. It is especially ludicrous, grotesque even, to have Ekland's dance scene come in so soon – it makes no sense. " The Nicolas Roeg movie Don't Look Now had been released by British Lion some time previously and it was now entering its smaller second run in London. Deeley now saw the chance to off-load The Wicker Man (in its Short Version form) as a B-picture; a huge insult to the film, even more so given that the the A/B picture system was practically extinct by this time. So finally, in December 1973, The Wicker Man stumbled into release. Christopher Lee telephoned all the film critics that he knew, begging them to attend the film and even offering to pay for their seats! Some reasonable reviews followed but by mid 1974 the film had done most of its business. In the US, despite his offer of 50, 000, the film wasn't secured by Corman; British Lion wanted to recover more of the original 450, 000 production cost. Eventually, a sum of around 300, 000 was offered by a company called National General. Unfortunately, National General went bankrupt four days after the deal was signed. The rights to distribute The Wicker Man in America then passed to Warner Brothers. In mid 1974, Warner's tested the film in a few areas of the USA, mainly in the San Diego area, and a college theatre and assorted drive-ins in Atlanta – earning a highly favourable review in Variety – before giving up the struggle. "What hope did we have, reflected director Hardy, with an audience who were fucking themselves silly in the back of their parents' Fords? Throughout the rest of the seventies and early eighties, the film's standing grew to large proportions – particularly in America where its unavailability seemed to enhance its reputation. Restoration In late 1976, Hardy, now based in America, was working on a couple of screenplays and decided to find out what had happened to the film with a view to kicking it back into release based on the growing American fan/student interest. The American distribution rights in the film had now been sold by Warners for just 20, 000 to a small outfit called Abraxas, run by film buff and local TV presenter Stirling Smith together with newspaper film critic John Simon. Hardy got in touch and explained that the film was now in a form far removed from what he and Anthony Shaffer had originally planned. Hardy contacted Peter Snell, and Lee and Shaffer in London and all four began an attempt to find a copy of the original Long Version in order to restore the film to a more complete form than the Short Version that had been given to Abraxas. The first obvious port of call was the vaults at British Lion's Shepperton studio. The reply that came back was dispiriting – all they had was the Short Version negative – the original 368 cans-worth of raw location footage had been junked (according to the famous rumour it was used as landfill in the nearby M3 motorway. 5 Snell then remembered the early copy that had been sent to Roger Corman. A phone call soon confirmed that Corman still had the print – probably the only copy of the Long Version in the world! A dupe was made and Hardy set about reconstructing his original cut for a special American re-release. Abraxas agreed with the original feelings of British Lion that the introductory mainland scenes were too everyday and mundane, and Hardy, having no strong feelings either way, left them out at their request. This new version did, however, reintroduce most of the longer cut scenes and restored the original flow of events, moving Willow's dance scene back to Howie's second night on the island where it was much more suitable. Running at around 95 minutes 6, this semi-restored version (henceforth called the Middle Version) was released in America in autumn 1977, when it was a huge success. Cult-movie magazine Cinefantastique even devoted a whole issue to the film, calling it "The Citizen Kane of horror films. The Middle Version was released on DVD and Blu-ray in 2013 under the tag line "The Final Cut. In Britain, the rights had passed to Warner Brothers on the collapse of British Lion. Throughout the late seventies and early eighties the film appeared on the ITV television channel and in various home-video releases, always in the Short Version cut. In 1988, the BBC planned to spearhead the very first film of the BBC2's Moviedrome season with a screening of the Long Version which researchers claimed to have tracked down in America. The copy from America had yet to arrive when the Radio Times for that week was prepared, grandly announcing the discovery. A reel of NTSC format broadcast videotape arrived from America a week or so before the screening containing a somewhat ropey copy of the film. Realisation dawned on the Moviedrome team that what they had been sent was only the compromise Middle Version, not the original Long Version as promised. Fortunately, presenter Alex Cox's (somewhat unenthusiastic 7) introduction to the film was recorded near enough the transmission date to explain that some scenes were still missing. The Long Version remained elusive in the UK but during the late eighties and early nineties was widely available in the US on home video; initially on the Media Home Entertainment label and later on Magnum. Eventually, in 2001 the film's new worldwide owners, French film production/distribution company StudioCanal, in conjunction with video/DVD label Anchor Bay, started a concerted effort to restore the film to its original glory. By now it seems that even Corman's Long Version film print had vanished, but luckily a (poorish) NTSC videotape copy transferred from Corman's print sometime in the eighties was still available. Despite this copy being less than visually perfect, the majority of the film's running time was obviously available in excellent quality as part of the Short Version, so a hybrid version could be assembled using the best-quality material available for each scene. This version was made available on DVD and VHS home video in both the US and UK. 8 At the time of writing, the above remains the status quo – the Short Version is available in good quality; the Long Version is represented solely in the archives by the above-mentioned (standard-definition) videotape transfer. Quite possibly, Corman's 35mm film copy of the Long Version is still out there... somewhere... Links To The Rest Of The Site Portions Cut From The Short Version Portions Unique To The Short Or Middle Versions Portions Filmed But Never Used The Plot, the Cast and the Crew Footnotes 1 Although Ritual was never intentionally used for the film which became The Wicker Man, some parts (particularly Willow's dance sequence, as she attempts to seduce Howie) clearly seem to have been inspired by the book, leading author David Pinner to claim plagiarism. Shaffer always denied this but admitted the Willow sequence may have been unintentionally inspired by Ritual. The Wicker Man would also seem to draw some elements from a BBC Play For Today called Robin Redbreast. Just like The Wicker Man, the play features a central character who is prevented from leaving a remote community by its inhabitants (modes of transport which could provide a way out of the community are sabotaged, as are methods of communication with the outside world. There is also a specific set of events that must be played out by the central character to ensure a bountiful harvest crop for the locals. Given the BBC play was broadcast in 1970 (around the time The Wicker Man 's plot must have been in development) it is certainly tempting to speculate that Hardy, Shaffer et al. were either intentionally or unintentionally inspired by Robin Redbreast as the similarities are striking. 2 Although the Long Version of the film actually runs 99 minutes, historically often it has been quoted as running 102 or 103 minutes. The reasons for this are not clear as all these various timings seem to apply to exactly the same version of the movie. To muddy the waters even further, on the sometimes confusing UK DVD commentary track, director Hardy suggests that the 102 minute timing figure derives from an "Extra-Long Version" he prepared which included scenes such as Summerisle offering Howie a taste of his apples (see my Portions Filmed But Never Used page. He further states that this was the version that Roger Corman was sent, rather than the 99m Long Version. He later contradicts these assertions in the same commentary, though. (Note that all running times mentioned in this article have been corrected for the 24/25 "speeding-up" factor associated with transferring film to PAL-standard video and are at the correct cinema (or NTSC video) speed, so the assorted timing discrepancies mentioned are not due to this factor. ) 3 This is sometimes quoted as 86 minutes, but both figures refer to the same version of the film. 4 Contrary to what almost everybody else says (including Allan Brown in his otherwise excellent book Inside The Wicker Man, writer Anthony Shaffer, editor Eric Boyd-Perkins, and TV film buff Mark Kermode) none of the versions deflate the events of the film from two nights on the island down to just one – Howie spends two nights on the island in all versions of the picture. If you don't believe me, watch the film! This misunderstanding seems to have started with David Bartholomew's original 1977 Cinefantastique article. ) 5 Much rubbish has been spoken, and multiple half-cocked theories have been put forward regarding the supposed unexplained disapperance of film elements of The Wicker Man, relating to both the Long Version of the film and out-takes that went unused in any version. Until the late seventies when directors like George Lucas with Star Wars and Steven Speilberg with Close Encounters of the Third Kind were the first to begin to see the advantages in keeping work materials (both films later appearing in "special editions. very little thought was given by film studios to the long-term preservation of unused film trims. DVD "extras" sections, which would also later successfully utilise such material, were way in the future. Historically, the "money" was considered to be in the finished cut negative, and unused footage and work materials were generally junked as soon as they were clearly finished with. In many cases, these unused bits of film were never even returned from the labs where the negative was cut. So, in moden times, one wouldn't expect to (and indeed won't) routinely find unused bits and pieces from The Sound of Music or The French Connection or Don't Look Now or Soylent Green or Carry On Camping or, indeed. The Wicker Man sitting on the shelves of a studio's film vault. Where longer versions of films of this era have survived, such as with The Exorcist, Witchfinder General and The Devils for instance, this has been more or less by accident rather than a deliberate act of long-term corporate preservation. Thus, no conspiracy is needed, Mr Lee. Indeed, we're lucky to have anything but the Short Version of The Wicker Man. 6 As usual the publicised running times are confusing. Whilst a figure of 96 minutes, which is sometimes quoted for this version, may just be a slight mistiming, a copy of the film shown by the BBC, and purporting to be this cut, runs to no more than 92 minutes. 7 Cox: Most of the people who rate it very highly as a cult, as far as I am aware, haven't seen it. " 8 These recent releases present the film in a picture aspect ratio of 16:9, much the same as would have been seen at the cinema. Many films of this time were shot "soft matte" or "open matte. meaning that the full 4:3 area of the film was exposed, with extra picture area at the top and bottom of the frame, in order that television showings would not have to be shown letterboxed. The extra areas would simply be blanked off for cinema showings as they are for these recent DVD releases. Most earlier TV showings and home-video releases kept the extra area intact. RESOURCES Links To General Information About The Film = Smartphone-friendly. = Not smartphone-friendly. The Internet Movie Database ( The Wicker Man (1973) Wikia. 1973) Wikia) Wikipedia-like encyclopedia about the film. The Life & Work Of Anthony Shaffer (archived copy) was) Gary Carpenter Gary was the Associate Music Director on the film. The Official Ian Cutler Website Ian was one of the musicians shown in the film. Nuada, the Wicker Man Journal Fan Gail Ashurst produced three fanzines to tie in with the film some 13 years ago. She had them reprinted for the 40th anniversary. facebook General Facebook blog about the film. Rare photos and scans are included. Another Facebook page. An old appeal for missing film elements of the movie. compulsion online Assorted articles and location guide. Dalbeattie: Scotland, Creetown Article, songs, locations etc. Links About The Locations Used In The Film Scotland the Movie Location Guide The Worldwide Guide to Movie Locations South West Scotland Screen Commission (archived copy) was the wicker man pilgrim (archived copy) The D+K Wicker Man Trail Locations in The Wicker Man (1973) Wikia The Movie District Reel Streets Novels The Wicker Man by Robin Hardy and Anthony Shaffer (Crown, 1978) Quite different from the film in places. Cowboys for Christ by Robin Hardy (Luath, 2006; later editions called The Wicker Tree) Novel along the same sorts of lines as The Wicker Man, but this isn't a sequel. Made into the film The Wicker Tree (q. v. The Wicker Man sequel screenplay by Anthony Shaffer This is Shaffer's direct sequel to the original movie. It was made available as an appendix in Allan Brown's book (q. – the 2nd edition only. Non-fiction The Wicker Man by Allan Brown (2nd ed., Polygon, 2010) This excellent book is the definitive source for information. It contains an extensive account of the making and cutting of the film, and includes interviews with cast and crew. Documentaries Ex-S: The Wicker Man (BBC Scotland, 1998) The Wicker Man Enigma (Blue Underground Inc., 2001) Burnt Offering – The Cult of The Wicker Man (Nobles Gate for Channel 4, 2001) Cast & Crew: The Wicker Man (eyedoubleyousee for BBC, 2004) Round-table discussion about the film. Movies The Wicker Man written and directed by Neil LaBute (Warner Bros., 2006) Hollywood remake of the original, starring Nicholas Cage. It failed to set the film world alight. The Wicker Tree written and directed by Robin Hardy (British Lion, 2011) Film version of Cowboys for Christ (q. It also failed to set the film world alight. Music The Wicker Man (Trunk Records, 1998) The songs from the film. It was taken from an M&E track (i. e. the complete soundtrack of a film except for the dialogue, and used when dubbing into other languages) so is in mono. (Silva Screen, 2002) The official soundtrack album, recorded, but not released, in 1973. Most of the tracks are in different takes from those heard in the movie, but the recordings are stereo. Original text portions Copyright Steve Phillips 1995-2019. All rights reserved. Thanks to Fintan Coyle, Brad Stevens and Jamie Angus for their observations and help with this site. If you have any feedback on these pages, I can be emailed at: Click to see e-mail address.
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. 1/2 (out of 4)
Christopher Lee, Anthony Shaffer, Robin Hardy, Ingrid Pitt, Edward Woodward and Roger Corman are just a few of the names who are interviewed here as we learn about the troubled history of THE WICKER MAN.
David Gregory once again created a highly entertaining featurette that features some wonderful interviews as well as some terrific bits of information on the production of the film. The documentary starts off talking about how the project went into production and then from here we cover the troubled post-production, which included a poor distribution and even worse was the fact that the film was cut down to a shorter version. We then get into discussions about the re-birth of the film and the discovery of the original version.
If you're a fan of the film then you'll certainly enjoy this documentary that clocks in at thirty five minutes and features a lot of great interviews. It's especially great getting to hear from Lee and Hardy as they really do a great job at showing their frustration in regards to how the film was handled on its original release and their joy that the film eventually found an audience. There's no question that the highlight deals with how the film was handled and how the negative is still lost to this day.